A slow flow yoga class to create space in the side body and hips, this class was inspired by a poem by Hafiz. Rhythmic and smooth motions build heat to warm and tone the body before opening the hamstrings, inner thighs, outer hips, and side waist. A longer floor sequence helps calm the nervous system and create a stronger connection to the earth if you seek more groundedness.
Style: Slow Flow
Duration: 60-mins
Level: open
Props: 2 blocks,
Focus: hamstring and inner thigh opening
Location: Lila Familia Production Studio, Vancouver, BC
Opening Meditation
Come to a seat or a reclined position and close your eyes. Connect to your breath and how it feels in your body.
One of the gifts of chaos is that it teaches us to have laser-sharp focus; when too many things are coming at us at once, we have to refine our focus and shift our attention to only that which is important. Bring your Drishti to your internal landscape as you drop into the moment. Feel your body, feel your breath.
One sound of Aum followed by 6-8 breaths to move as you like, options:
Wave 1
Uttanasana (forward fold)
Tadasana (mountain pose)
Urdhva Hastasana (hands to sky)
Uttanasana (forward fold)
Ardha Uttanasana (half lift)
Anjaneyasana (low lunge) variation
Balasana (child’s pose) variation with one leg extended to the side of your mat.
Bidalasana (cat pose)
Bitilasana (cow pose)
Adho mukha svanasana (down dog)
Eka pada adho mukha svanasana (3-legged downward dog)
Anjaneyasana (low lunge) variation with fingertips on the ground
Uttanasana (forward fold)
Repeat the same sequence on the other leg.
Wave 2
Uttanasana (forward fold)
Ardha Uttanasana (half lift)
Anjaneyasana (low lunge) variation
Balasana (child’s pose) variation with one leg extended to the side of your mat.
Bharmanasana (tabletop) variation with one knee to nose, curl into a ball
Bharmanasana (tabletop) variation with one leg and opposite arm extended.
Adho mukha svanasana (down dog)
Eka pada adho mukha svanasana (3-legged downward dog)
Ardha Hanumanasana (half splits pose) with hands at blocks or on the earth
Urdhva Prasarita Eka Padasana (standing splits pose)
Rollerskating pose to transition with bum on the ground
Ardha Matsyendrasana (seated spinal twist)
Parivrtta Janu Sirsasana (variation) with a twist
Camatkarasana (variation) with a knee on the ground
90/90 legs (aka deer pose)
Seated windshield wiping the knees from side to side
Uttanasana (forward fold)
Tadasana (mountain pose)
Repeat the same sequence on the other leg.
Peak Flow
The peak pose is Upavistha Konasana with several variations:
* You’ll take each of these options on either leg or hold one that serves.
Upavistha Konasana (seated wide-legged forward fold)
Option to take:
Baddha Konasana (seated bound angle pose) instead of the pull peak pose
Cooling Flow
Matsyasana (fish pose) variation using the blocks for support
Hold and breathe in this pose or take a simple pranayama
Viloma Pranayama
Viloma breath, aka interrupted breath, is the offering while in supported fish pose.
This technique includes a bit of kumbhaka (breath retention) after each inhale; hold lightly. This pranayama helps to expand the length of the breath and the lung capacity.
To do this pranayama:
Repeat this several times or breathe naturally
Savasana or seated meditation to close your practice.
Poem by Hafiz.
It is a holy man, a good poem, and a holy
woman; and a temple and a mosque and a
shrine.
Have you not been looking for a companion
like that? For a place of such great refuge,
where time asks nothing of you, where you
can come and go as you please, where you
basically, control all the rules because your
inherent wisdom knows best.
And you don’t have to give up any pleasures
that might still be working, adding colour to
your cheeks.
There is nothing you touch that you hope
won’t fit into a puzzle you are seriously
working on.
I know how the eye works, what its primary
desire and impetus is: to lay its gaze upon
the beautiful, and for beauty to wink back.
The eye, like every part of you, is governed
by your great and continual primal instinctive
need to feel whole and able.
Able to work and learn and give and play—
and love and love. Who would deny that?
It is a holy woman, a decent poem, and a
holy man; and a temple and a mosque and a
shrine.
Carry any relics from my words that you can.